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Geo IP provides you such as latitude, longitude and ISP (Internet Service Provider) etc. informations. Our GeoIP service found where is host troikatronix.com. Currently, hosted in Canada and its service provider is Gossamer Threads Inc. .

HTTP Header Analysis

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isadora get it forum help gdpr newsletter impressum impressum isadora out-of-the-box functionality, outside-the-box creativity isadora is the perfect tool for artists, designers, performers who want to add video and interactive media to their performance projects. the software is an interactive media playback platform that combines a media server, a visual programming environment, and a powerful video and audio processing engine. using isadora, you can create stunning audiovisual effects in real-time, all within a user-friendly and easy-to-learn platform. isadora celebrates creativity improvisation and experimentation are the fountain from which creativity flows. isadora features a modular workflow that welcomes your artistic impulse and encourages your imagination to run wild. isadora is powerful isadora provides blazingly fast and reliable media playback. this flexible gpu-based video processing engine offers precise media control and compatibility with professional formats and codecs. isadora grows with you people love isadora because it's so easy to learn. the fundamentals of isadora are easy to grasp, but as you expand your skills into projection mapping or even interactive performance, you will discover layer upon layer of powerful capabilities. awesome team, awesome community isadora's online community is one of the most generous around. want to learn how to create more with isadora? ask on our forum and you'll quickly get an answer. are you having a technical problem? our hyper knowledgable tech support team has got you covered. isadora in action insight and details about how top artists use isadora to enhance theater, dance, interactive installations, and more filling the stage at berlin's schaubühne profile: jake witlen, video designer and lead video technician profile: jake witlen age: 35 head of the video department at the schaubühne location: berlin, germany isadora user: 11 years patching style: ocd perfect, especially for shared files fotos: (c) arno declair disconnected child. director: falk richter. video design: christopher kondek richard iii. director thomas ostermeier. video design: sébastien dupouey fear. director: falk richter. video design: bjørn melhus as head of video for three years at the schaubühne, one of germany’s preeminent theaters, jake witlen’s mantra is, “workflow. workflow. workflow.” the venue premiers about 15 shows per year, on top of 52 existing shows in repertoire, and tours shows approximately 160 days per year visiting about 30 countries. 85% of all productions integrate video and thus isadora, ten of which are premiers, many of which push the limits of video onstage. a show opening this april called, borgen, created and directed by nicolas stemann, uses isadora to operate a concept among seven projectors, three cameras, two iphones, and subtitles. the schaubühne is well-equipped, but given the scale and number of shows it produces, resources are limited. a lot of logistics go into preparing a show; simply knowing what piece of equipment is available and when can be a puzzle. if a show is going to china for example, jake can lose gear for three to five months. but he enjoys the challenge: “the fun part is figuring out your game.” jake’s responsible for coming up with a plan to ensure that every show runs smoothly and is reproducible. reproducible means being able to load in, calibrate, and fine tune in a new space in just under two days before opening. he directs a small team of three to program isadora and execute designs, a team that is typically split between two shows at a time. to be clear, jake isn’t designing the show himself but instead tackling the trickier and more nuanced challenge of building someone else’s design. every director who comes through the schaubühne brings their own designer, and that designer has their own unique vision, communication style, and set of expectations. jake has chosen isadora for the schaubühne because the software can meet the demands of every designer and calibrate quickly. “it’s flexible. for any single problem, isadora offers 800 solutions. it totally beats the giant servers, which are really just playback machines.” but sitting down with the director and video designer early in production is essential. jake negotiates every last detail of the video concept – what is possible based on resources, time, and scale and what the workflow will be. jake’s team then collaborates in programming the show and builds an isadora file together. “anyone could be programming a patch at any given time.” order is key, but order is easy with isadora. in fact, it’s so easy, jake is able to teach the program to the designer’s assistants, so they’re up and running and trying out patches in the space in a matter of hours. despite jake’s long history with isadora, both as director and designer, its myriad solutions never cease to astound him. because his team is sharing patches, he learns something new from his collaborators almost every show, something that he’s never even thought possible. isadora can realize “whatever [they] need to do – the blank page is infinite.” isadora’s creative potential is attributed to how it’s developed as a piece of software. the program’s creator, mark conilgio, is “coming at it from a creative standpoint, asking the question: what do i want out of it? and you can clearly see how he’s influenced by users all over the world.” jake is active on the troikatronix forum and is keenly aware of isadora’s constant evolution. “you read a question, and four days later you have an update. mark’s already taken a user’s question and built the answer. when you need something, he’ll be there.” on top of isadora’s proven power and mark’s responsiveness, jake chooses isadora because of its reliability. he describes a critical divide between the video department and other departments in the theater that is not exclusive to the schaubühne. “video is the evil stepchild in theater.” troubleshooting might be clear for lighting and sound departments – turn it on and off, unplug and plug, check the cable, check the lamp, but “that’s not part of the game of video design - which doesn’t work for centuries-old departments.” notable directors, such as peter stein, robert wilson, thomas ostermeier, falk richter, katie mitchell, simon mcburney, and milo rau have secured the schaubühne worldwide fame and respect over the last 50 years. so there’s little room for error in designing and running a show, regardless of how misunderstood the technology. with the help of isadora, jake is able to achieve sterling precision, professionalism, and organization. learn more mapping: from glastonbury to shakespeare profile: dan shorten, video designer profile: dan shorten age: 37 profession: video designer // lecturer at the guildhall school of music and drama location: london, england isadora user: 13 years patching style: start straight at right angles but end up as spaghetti “people can listen to a piece of music and tell you instantly if they like it or not, and they feel confident in saying so.” award-winning video designer, dan shorten, wants his audience to be able do the same. working under the moniker, anomic multimedia, he uses isadora’s projection mapper for large-scale outdoor events and five-star touring productions, including the five-day glastonbury festival of performing arts and most recently, shakespeare400, a series of public performances around london celebrating the 400-year legacy of the bard. running systems that can use up to 19 projectors, he transforms the facades of buildings and spaces into living entities and animated environments. an impressive 150,000 people a week can experience his work – that’s 8,000 pairs of eyes a night. with these kinds of numbers, success comes down to accessibility, as the larger the public, the wider range of responses. some people might be attracted to the meaning, others the magic, and a few, the mechanics behind the mastery. but it’s this o

URL analysis for troikatronix.com

https://community.troikatronix.com/
https://troikatronix.com/impressum/
https://support.troikatronix.com/support/home
https://troikatronix.com/get-it/
https://troikatronix.com/dsgvo/
https://troikatronix.com/home/

Whois Information

Whois is a protocol that is access to registering information. You can reach when the website was registered, when it will be expire, what is contact details of the site with the following informations. In a nutshell, it includes these informations;

Domain Name: TROIKATRONIX.COM
Registry Domain ID: 85047275_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.networksolutions.com
Registrar URL: http://networksolutions.com
Updated Date: 2018-03-26T20:32:44Z
Creation Date: 2002-03-31T13:04:58Z
Registry Expiry Date: 2023-03-31T12:04:58Z
Registrar: Network Solutions, LLC.
Registrar IANA ID: 2
Registrar Abuse Contact Email: [email protected]
Registrar Abuse Contact Phone: +1.8003337680
Domain Status: clientTransferProhibited https://icann.org/epp#clientTransferProhibited
Name Server: NS1.NMSRV.COM
Name Server: NS2.NMSRV.COM
DNSSEC: unsigned
URL of the ICANN Whois Inaccuracy Complaint Form: https://www.icann.org/wicf/
>>> Last update of whois database: 2018-07-09T20:10:33Z <<<

For more information on Whois status codes, please visit https://icann.org/epp

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The Registry database contains ONLY .COM, .NET, .EDU domains and
Registrars.

  REGISTRAR Network Solutions, LLC.

SERVERS

  SERVER com.whois-servers.net

  ARGS domain =troikatronix.com

  PORT 43

  TYPE domain

DOMAIN

  NAME troikatronix.com

  CHANGED 2018-03-26

  CREATED 2002-03-31

STATUS
clientTransferProhibited https://icann.org/epp#clientTransferProhibited

NSERVER

  NS1.NMSRV.COM 208.70.244.6

  NS2.NMSRV.COM 208.70.245.8

  REGISTERED yes

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